Property of Starsky & Hutch

An inventory of stuff belonging to Dave Starsky and Ken Hutchinson

Layouts: Venice Place — October 11, 2018

Layouts: Venice Place

 

Things to notice:

The greenhouse furniture changes almost every time we see it, and the back door is never properly seen (Starsky comes in through the greenhouse with a pizza in “The Game” tag, so there must be a back entrance there by S4).

In my layout, the bath tub is where it is from “Starsky’s Lady” onward. Earlier, there’s a small closed space on the left and the tub and the window are more to the right (see e.g. when Molly/Pete is pretending to take a bath).

The distance between the tiffany glass wall and the pillar in the middle may vary from episode to episode. The furniture on the street side wall – and the wall itself – is often moved, as that is the direction from which the room is most often filmed. Also, lamps and artwork travel frequently from table to table or from wall to wall, but mostly things in Hutch’s apartment stay nicely in place.

Location information and episodes in which we see this house.

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Hutch’s Big Brass Bed (Venice Place) — October 16, 1976

Hutch’s Big Brass Bed (Venice Place)

The brass bed at Venice Place is one of the notable new items in Hutch’s new home. Still not really private, the sleeping area separated by the wooden folding screen at Venice Place is an improvement compared to the Canal Cottage, where the bed was first right in the middle of the room.

For all we know, Hutch never sleeps in his bed – the only two times we see him on it are when he sits next to Vanessa in the morning (and the bed creaks horribly) in “Hutchinson for Murder One”, and when he calls Marianne in “Ballad for a Blue Lady” (there Hutch is actually horizontal on the bed, but fully clothed on top of the bedspread). Compare that to all the scenes with a sleepy, mostly nude Starsky in his bed – that’s at least three times. Yes, life is unfair.

The bed is seen in most episodes showing us the interior of Hutch’s Venice Place home. In the first one, “Gillian”, it is in the background and the brass frame isn’t visible, but we can assume it’s the same bed. At least the off-white chenille bedspread is in place.

What about the rest of the bedding? The couple of times we see the pillow cases, they are white (with a vertical stripe pattern woven in in “Murder One”), and in “Targets, Part 3” we see a blanket or a top sheet, light yellow with some texture. In “Murder One”, Vanessa slept wrapped in the bedspread, no top sheet there.

Bonus: a panorama put together from that one scene where we see Hutch horizontal on this bed:

Hutch’s Venice Place Apartment (1027 1/2 Ocean Avenue) —

Hutch’s Venice Place Apartment (1027 1/2 Ocean Avenue)

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Built in 1923, the house used in S2-S4 as the exterior of Hutch’s home still exists, though some of the charming details like the decorative door are long gone: 1027 Abbot Kinney Blvd Los Angeles, CA 90291, USA.

From The Bay City Gazetteer: “There is a very good description of Venice Place in 2009 (http://starskyhutcharchive.net/advent/2011/12b.html) by Flamingo […]. This item prompted a fan named June to contribute pictures of Venice Place in 1981 (http://starskyhutcharchive.net/advent/2011/23e.html), just after the series had ended.”

An alternative address of the house is Washington Blvd (the FBI kickback in The Specialist; the street sign in Little Girl Lost).

Inside, the layout of the apartment is very similar to Hutch’s Canal Cottage, and Hutch has kept most of the stuff he had there. (I.e., it’s the same set, with some paintwork, minor redecoration – the main differences are probably the addition of the deck and moving the fireplace to the opposite corner.)

It’s interesting that the exterior of the house is seen only the third time Hutch’s new home is used in the show – “Vendetta”, with its many scenes filmed around (and one in the actual staircase) Venice Place would’ve have been the perfect episode to introduce the new place. Maybe the airing order did go wrong – especially “Gillian” seems out of place shown before “Vendetta”, showing Hutch falling in love with someone else when Abby from S1 is still his girlfriend in “Vendetta”.

Hutch’s Venice Place home is seen in:

02-05 Gillian
02-08 The Specialist
02-10 Vendetta
02-12 Iron Mike
02-13 Little Girl Lost
02-18 Survival
02-19 Starsky’s Lady
02-22 The Velvet Jungle
02-25 Starsky and Hutch Are Guilty
03-03 Fatal Charm
03-15 A Body Worth Guarding
03-19 Hutchinson for Murder One
03-20 Foxy Lady
04-02 The Game
04-14 Ballad for a Blue Lady
04-18 Targets Without a Badge, Part 1
04-20 Targets Without a Badge, Part 3
04-21 Starsky vs. Hutch

Starsky and Hutch’s Shared Living Room Lamp — February 25, 1976

Starsky and Hutch’s Shared Living Room Lamp

After being seen once in Starsky’s Ridgeway house in “Running”, this lamp moves to Venice Place, where it stays in one spot behind the couch for the rest of the series, surviving the many attacks on the Hutchinson household. The shade seems to have been changed, but the base is definitely the same. (Left, on the long table in the middle of Starsky’s apartment in “Running”; right, chez Hutch in “Little Girl Lost”.)

Details of the lamp base are seen well in the close-ups in “Running”. I’m no expert in ancient Mesoamerican ceramics, but it has an Aztec pottery vibe to me. Maybe it’s just because of the teeth of that creature (or is it even a creature?) that’s depicted there.

Hutch’s Couch — October 8, 1975

Hutch’s Couch

The trusty three-seat beige couch with its patterned cushions is seen in all (and put to very good use in many of) the episodes that have scenes in the Canal Cottage or Venice Place, with the single exception of “Iron Mike” where the guys play chess out on the deck.

The life of this couch is one of ups and downs, and I can’t resist telling the whole story of its upholstery in pictures.

“The Suffering Sofa: The Life and Times of One Very Unlucky Piece of Furniture”

In the first two seasons, the couch’s life is easy. From the first sighting in “The Fix” (01-05) to the S2 finale “Starsky and Hutch Are Guilty” (02-25), the couch sees some unpleasant things happen at both the Canal Cottage (Hutch kidnapped) and its new home in Venice Place (Abby attacked), but it doesn’t suffer any physical harm.

Little does it know what is to come in the third season… In “Fatal Charm” (03-03), the cushions have recently received new covers for no apparent reason:

But they are soon stabbed to death by Diana:

Hutch must’ve liked the new covers, because the next time we see the couch in “A Body Worth Guarding” (03-15), they’ve been replaced with identical ones:

But the worst is yet to come. For some reason, the couch has a new Mexican-style look (with a matching hem, too) only a few episodes later, in “Hutchinson for Murder One” (03-19):

But very soon this happens:

The couch survives and, miraculously, in the next episode “Foxy Lady” (03-20), the Mexican look is there again, untouched:

But very soon this happens again:

Season 4 may be a turbulent one for Starsky and Hutch, but for Hutch’s couch, it means the return of peace – and yet another new Mexican look that is so similar to the last one that the hem can stay the same. (In fact, not visible in the picture below, but like in the late S3 cushion covers above, the narrow sides of the S4 cushions are of the same fabric as the couch’s hem.)

No one threatens the couch with knives ever again, which is nice. This upholstery survives all the way from “The Game” (04-02) to the very last sighting in “Starsky vs. Hutch” (04-21).

The End.

 

Hutch’s Piano(s) —

Hutch’s Piano(s)

In the early episodes, Hutch had a small piano in the alcove (in the last sighting in 01-07 “The Pariah”, there was sheet music on it, so he probably even played it).

However, it was gone with the cottage renovation. From “Kill Huggy Bear” forward, there’s a big antique piano in the cottage (apparently serving as a fancy beer stand):

In Venice Place, the same piano is on the wall next to the door.

It’s always there in the background, but Hutch is seen playing it only twice, in “Little Girl Lost”:

And in “Ballad for a Blue Lady”:

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